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So I give a great level of importance to the concept of falling in love.” Instead, perhaps, it was resignation that made him take the helm.
Guadagnino had been attached to the adaptation of André Aciman’s delirious summer romance for nearly a decade—first as a consultant, then an executive producer, then a writer—when he finally took the plunge into directing it.
“He showed up at my place in Crema, and we started working together.
It took us a year of back-and-forth between Crema and New York, and we started from scratch.
“It was important to me to make this happen for James. He was used to tight shoots and compressed schedules, and that would be attractive to financiers.
It soon became undeniable: if this movie was going to go ahead, Luca Guadagnino would have to step up. We did it because we wanted to do it.” So what was it about this story that inspired such fevered devotion, and yet such hesitation to take the reins?
“I believed in this project and I didn’t want to see it go,” he says. Call Me by Your Name is a love story, in its most unadulterated form.
“But nobody believed in this concept,” Guadagnino sighs. But nobody believed two filmmakers could make a movie together—unless they were brothers, or a pair to begin with.” Guadagnino could be fast and nimble in a way Ivory wasn’t practiced in.For those who fall for it, Call Me by Your Name makes them fall hard.So much so that when their friends share those feelings, their reactions make it feel like the novel is somehow being adulterous.Clients, colleagues and participants interested in setting a meeting, please email our Creative and Market Coordinator, Josh Blank to schedule a time. “It was not about falling in love,” he says of the ultimate decision he made to direct his new film, Call Me by Your Name.“I fell in love once in my life, and I have been with the same person since.
It was a very interesting script, because it was filled with the typical imagery of Ivory.” But still, there was no luck for the production.